Showing posts with label Sex Murder and a Double Latte. Show all posts
Showing posts with label Sex Murder and a Double Latte. Show all posts

Sunday, May 6, 2012

How to Write: Sex Scenes

Right now, I need to tell my parents to stop reading. I appreciate your love and support, but this is not the post I want you to remember me for. Click here instead. (goes doubly for grandparents)

Anyone else who doesn't appreciate R rated material should also skip this one.


Alright.

My current work in progress, Awake, has something none of my previous works have had: a sex scene. Believe me, I've been trying to figure out how I'm going to show this novel to my parents without chopping out a whole chapter. Actually, when I first picked up the book Sex, Murder and a Double Latte the first sentence resonated with me:
"The downside to writing sex scenes is that my mother reads my books."  
Yeah, obviously, I'm not the first person to have this problem. I guess I'll figure something out when the time comes. (Just now getting a lot of unnecessary anxiety about this.)

Barring the difficulties of sharing scenes as intimate as these, getting the words out can be difficult too. This post's aim is to help with that.

There are different kinds of sex scenes for various situations.

For realistic scenes in which you don't want the girl to seem too easy, or the guy to be a coarse, ill-mannered brute, there's a specific order to the action, starting way before the scene itself. It's not so much what is done – ‘petting’ (kissing and limited fondling), ‘heavy petting’ (breast fondling with direct skin contact, stimulation through clothing), or even actual intercourse. Assuming mutual attraction in the first place, what matters is actually the order in which the characters do these things. As long as they each go through the same stages step by step and it is accepted by the other, everything is usually okay, even if the stages are gone through quickly. 

If you follow the stages in roughly the right order, sex will always seem consensual, and therefore acceptable. Some of the later stages often merge or are skipped altogether without problem. The faster it happens, and the more stages you skip, the more explosive and lust-based it seems, BUT you have to show both parties at same stage for it not to seem like rape for one or the other. The slower you take them through the stages, and the fewer stages you skip, the more it becomes love-making, and the more erotic it becomes. This order is roughly: 

  1. ‘Accidental’ hand touching.
  2. Hand touching/holding.
  3. ‘Accidental’ body contact. e.g. arm brushing breast or vice versa, hips/legs brushing while walking/sitting.
  4. Deliberate contact. Arm round shoulder/waist.
  5. Touching other’s face/hair.
  6. Kiss, with minimal body to body contact.
  7. Long kiss, full body contact.
  8. Brief contact with lesser erogenous zones. e.g. Ear lobe, neck, back.
  9. Longer deliberate contact with major erogenous zones (breasts, followed by thighs/legs, followed by inner thighs and upward, through clothing.
  10. Naked contact between torsos. Strong genital to genital contact through clothes, accompanied by strong pressure and movement.
  11. Full naked contact.
  12. Actual intercourse.


How to describe the sex scene:
  1. Making it coy, old-fashioned, clichéd and funny
    1. Use pet/old names for the sex organs. 
    2. Recycled metaphors and similes. “His train entered her tunnel at full steam ahead.” “Her maidenhead opened for him like a flower to the sun.” “His honeybee sipped her delicious nectar.” “His rocket launched into her orbit.”

  1. Making it pornographic:
    1. Rapid invasion of personal space.
    2. Make the sexual response one-sided.
    3. Focus on the sex organs and intercourse.
    4. Use lots of the four letter words repeatedly, and the more insulting slang.
    5. Repeat words like thrust, rammed, forced at regular intervals.
    6. Keep repeating the same actions over and over.
    7. Skip lots of stages.
    8. Focus on physical descriptions rather than emotions.
    9. Avoid gentle gestures, or touching non-erogenous zones.
    10. Skip kisses unless they’re brutal and forceful.
    11. Lots of loud cries, especially four letter words.
    12. Significant use of force or pain.


  1. Making it love-making:
    1. Go slowly through each of the stages, at least to start with, and show that each is enjoying and accepting it.
    2. Place the emphasis on how it feels rather than on what is being done.
    3. Loving touches on each other’s bodies away from erogenous zones, kisses and eye contact. Whispered endearments (but not coy ones). Lots of foreplay in other words.
    4. Show each showing their pleasure to the other. 
    5. A small amount of scratching and biting is okay, but it’s easy to overdo it. Qualify it to stay safe e.g., gentle scraping, nipping.
    6. Show mutual surrender to the pleasure as you approach the climax.
    7. Both achieve climax; together is best but not compulsory, as long as the one who reaches orgasm first continues until the other does. Let the climax continue for a reasonable time, at least for the woman. Average time for a man from initial onset to final contraction is up to about 7 seconds for a man, 30 seconds for a woman, though the last ten seconds or so, they’re fading down. 
    8. Don’t be too graphic/specific. If you need to be specific, stick to the accepted words and/or the commonest, least coarse alternatives/abbreviations. Even so, keep it the minimum.
    9. Gentle sounds if any.
    10. Remember intercourse is simply one stage in love-making.
    11. Repeat 3c after climax.


  1. Making it fairly steamy/ erotic/spicy:
    1. Go through all the early stages very quickly. Can put up to three in one sentence.
    2. Skip odd later stages, but mix in foreplay/kisses/eye contact even during intercourse.
    3. Include the same loving gestures as in love making. But make them more forceful and produce a stronger and noisier response.
    4. Can use more graphic/specific description but stick to the ‘acceptable’ options as in 3g.
    5. More of stuff in 3e, but more strongly, but make sure you show a pleasure response by partner, and have them return it.
    6. Make it noisier, quicker and more forceful for both.
    7. Make them collapse with exhaustion afterwards, if only for a few moments while they get their breath back.
    8. Even more important to repeat 3c afterwards.


Thursday, April 12, 2012

What the hell is up with Melanie?

(Yes, I stole and modified the title from my friend Jenny, but only because I love her.)

Unless you count spending far too much time on social networking sites trying to get people to pay attention to me like an ignored 5-year-old, there isn't much to report. If I don't go food shopping soon, I'll be eating cereal for dinner (not that there's anything wrong with that). The pile of clothes in the corner of my room hasn't diminished for quite some time.

On the plus side, I got some comments back recently for the 2nd book in the Kat Shergill series, so I've been working on that. Still trying to come up with a title. Maybe I'll hold a contest. This ties nicely into the "wanting attention" category.

Also a plus: I love my job! This is good because I spent a lot of money to get a job like this. It still amazes me that some days I think, "Maybe I'll go in to work and get some highlights," or, "My friend needs a haircut -- I'll take her to work on my day off." I would have shot myself if I'd ever thought, "you know, those reinsurance status reports aren't going to process themselves. I have some extra time on Saturday ... think I'll go in for free."
my tools are even pretty!

I also re-watched The Lord of the Rings recently. Not only is the imagery in that movie gorgeous, but the characters are so dimensional. I appreciate things like this more now that I'm writing with a fury: not everyone is completely good or bad. Take Frodo for example: he's the underdog who saves the world and destroys the ring. Hooray! Except it wasn't as simple as that. He starts out friendly, loving, slowly becomes untrusting and weary, identifies more with someone who's been through similar trials more than his best friend, makes Sam cry, changes his mind about saving the world, and succeeds BY ACCIDENT. It's so beautifully done. Even when Frodo shows his ugly side, we still know he's a good guy.



Not in the same category, but I also re-read Kyra Davis' Sex, Murder and a Double Latte. The humor in this book is nothing short of charming. Still suspenseful even though I knew what was going to happen. (It's always disappointing to go back to a book or movie I thought I loved only to find I just hyped it up.) When my little monetary slump is over, I'll buy her newest in the series (she's now indie like me!).

Back to editing.

Friday, February 10, 2012

Girl Detective

Nancy Drew taught me that reading didn't have to be boring and stupid. When you're homeschooled and all reading becomes "required," it's easy to want to do anything else.

Nancy was cool, though. She had a boyfriend (which my parents didn't like), investigated behind the police's backs, and saw all kinds of trouble (which my parents told me would give a real person serious mental problems). Regardless, I became hooked on The Nancy Drew Files -- it was the coolest of all the series.

Though I didn't grow up to be a detective (it was a runner-up), I kept reading and eventually writing about them

My current favorite "adult Nancy Drew" is the Sophie Katz series by Kyra Davis. Luckily for me, she's posting a chapter of her newest novel on her blog every week until the official release date. For reasons the author herself can fill you in on, this latest book will be indie (like me!), which is very exciting. You should all check it out. I even reviewed Sex, Murder, and a Double Latte on my previous blog.

Similar to Nancy, Sophie has a boyfriend (but a much cooler one ... I mean, I know Nancy's was invented in the 20s, but Ned? No longer sexy), goes behind the police's backs, and sees a lot of trouble. But there's also sex and language (sorry, mom) that makes the stories much more interesting.

I guess the reason I've preferred amateur detectives to professional ones is that they give me the hope that one day it could be me. I don't want to work for the police or be a reporter or any of that. But what if I get a client in my chair and she blabs a little too much about "that chick who got stabbed" ...? I'd put things together, ask the wrong person questions, and because I carry my shears and razor with me everywhere, they'd turn into the perfect weapons when I get kidnapped for knowing too much.

Yeah, not likely, but still.